Why work with us?

With over 20 years of bricklaying experience, the JRC team has built a strong reputation for cost effective and professional bricklaying solutions. We are fully licensed and insured, and our Melbourne bricklayers deliver specialist bricklaying and blocklaying services throughout the South Eastern Suburbs of Melbourne.

JRC have a demonstrated ability to run multiple projects and always supply enough labour to meet and exceed programme deadlines.

We're happy to travel

From Wantirna to Werribee we cover the Greater Melbourne area and continue to travel to do what we love. No job is too small or too big. We'll be there on time and with a professional approach to any job.

Services

We offer an extensive list of services to suit all requirements.

Bricklaying

At JRC our team of highly skilled and experienced tradesmen are capable with all aspects of Brickwork construction. We have the skills and processes in place to meet your exact requirements. We have a proven track record in the delivery of technically challenging projects. You will find our team easily accessible and willing to give advice through to the completion of your project.

Blocklaying

At JRC we have laid hundreds of thousands of square metres of perfect blockwork.

We have an experienced and fully trained workforce committed to providing quality workmanship whilst exceeding client expectations, delivered on time and on budget, within a safe environment.

JRC know what is expected of us and more importantly, our clients know what to expect from us, a consistent and professionally delivered service with a name built on honesty and quality.

We will service anywhere in Melbourne:

  • Sandringham
  • Caufield
  • Brighton
  • Elsternwick
  • Frankston
  • Cranbourne
  • Berwick
  • Pakenham
  • Dandenong
  • Belgrave
  • Bayswater
  • Wantirna

The major portion of the construction cost is the sum of the payments to the general contractor and prime contractors. Remaining construction costs usually consist of interest on the construction loan, permit fees, and costs of materials, equipment, and labor not covered by the construction contracts. The initial cost to the owner is the sum of preconstruction, construction, and occupancy costs. The latter covers costs of moving possessions into the building and start-up of utility services, such as water, gas, electricity, and telephone. After the building is occupied, the owner incurs costs for operation and maintenance of the buildings. Such costs are a consequence of decisions made during building design. Often, preconstruction costs are permitted to be high so that initial costs can be kept low. For example, operating the building may be expensive because the design makes artificial lighting necessary when daylight could have been made available or because extra heating and air conditioning are necessary because of inadequate insulation of walls and roof. As another example, maintenance may be expensive because of the difficulty of changing electric lamps or because cleaning the building is time-consuming and laborious. In addition, frequent repairs may be needed because of poor choice of materials during design. Hence, operation and maintenance costs over a specific period of time, say 10 or 20 years, should be taken into account in optimizing the design of a building. Life-cycle cost is the sum of initial, operating, and maintenance costs. Generally, it is life-cycle cost that should be minimized in building design rather than construction cost. This would enable the owner to receive the greatest return on the investment in the building. ASTM has promulgated a standard method for calculating life-cycle costs of buildings, E917, Practice for Measuring Life-Cycle Costs of Buildings and Building Systems, as well as a computer program and users guide to improve accuracy and speed of calculation. Nevertheless, a client usually establishes a construction budget independent of life-cycle cost. This often is necessary because the client does not have adequate capital for an optimum building and places too low a limit on construction cost. The client hopes to have sufficient capital later to pay for the higher operating and maintenance costs or for replacement of undesirable building materials and installed equipment. Sometimes, the client establishes a low construction budget because the clients goal is a quick profit on early sale of the building, in which case the client has little or no concern with future high operating and maintenance costs for the building. For these reasons, construction cost frequently is a dominant concern in

Specularity of the task can be a major cause of reflected glare. Consequently, high-gloss surfaces in the field of vision should be avoided. Often, tilting the task can reduce or eliminate veiling reflections. Use of low-level illumination throughout a space, supplemented by local lighting on the task, offers several advantages, including adequate light with little or no glare and flexibility in positioning the local light source. In many work environments, observers find themselves confronted with reflected glare both on horizontal surfaces, when reading material on a desktop, and on approximately vertical surfaces, when viewing a visual display terminal (VDT) screen. Designers should be aware of this and should be certain that the lighting system used to alleviate veiling reflections on horizontal materials does not aggravate the problem on the VDT screen. Luminaires selected to direct light outward beyond 40 from vertical to avoid veiling reflections may produce direct glare on the VDT. In general, in design of lighting systems for areas with VDTs, illuminance levels should be kept low, less than 75 fc. Illuminance ratios in the area also should be kept low, fixtures that have high VCPs should be selected and surface finishes that might reflect onto the VDT screen should have medium to low reflectances. Luminaires with parabolic louvers, either small-cell, intermediate-cell, or deepcell, are often used. They provide good illuminance on horizontal surfaces while contributing almost no direct glare onto the screen. They do, however, create a visual environment with relatively dark ceiling space that some may find objectionable. Pendant-mounted, indirect-lighting luminaires or direct-indirect fixtures using fluorescent or HID sources can also be successfully applied to areas with VDTs. They produce a brighter feeling in the space for the occupants. Care must be taken to select luminaires with properly designed light control and to mount them sufficiently below the ceiling to create a uniform brightness across the ceiling surface. Failure to meet these requirements can result in hot spots on the ceiling that will be reflected onto the VDT screen. A relatively uniform, though somewhat bright, ceiling luminance reflected onto the screen is not objectionable to the viewer (VDT contrast and brightness controls can be adjusted to compensate) but the hot spots on the screen force the viewers eyes to be constantly adjusting to the differences in reflected glare, causing eye fatigue and discomfort. (See The IES Recommended Practice for Lighting Offices Containing Computer Visual Display Terminals (VDTs) RP-24, Illuminating Engineering Society of North America.) See Art. 15.20, Bibliography. A black body is colorless. When increasing heat is applied to such a body, it eventually develops a deep red glow, then cherry red, next orange, and finally bluewhite. The color of the radiated light is thus related to the temperature of the heated body. This phenomenon is the basis for a temperature scale used for the comparison of the color of light from different sources. For example, the light from an incandescent lamp, which tends to be yellowish, may be designated 2500 Kelvin (K), whereas a cool white fluorescent lamp may be designated 4500 K. Light used for general illumination is mainly white, but white light is a combination of colors and some colors are more predominant than others in light emitted from light sources commonly used. When light other than white is desired, it may be obtained by selection of a light source rich in the desired hue or through use of a filter that produces that hue by absorbing other colors. Color rendering is the degree to which a light source affects the apparent color of objects. Color rendering index is a measure of this degree relative to the perceived color of the same objects when illuminated by a reference source for specified conditions. The index actually is a measure of how closely light approximates daylight of the same color temperature. The higher the index, the better is the color rendering. The index for commonly used light sources ranges from about 20 to 99. Generally, the color rendering of light should be selected to enhance color identification of an object or surface. This is especially important in cases where color coding is used for safety purposes or to facilitate execution of a task. Color enhancement is also important for stimulating human responses; for example in a restaurant, warm-colored light would make food served appear more appetizing, whereas cool-colored light would have the opposite effect. Sources producing white light are generally used. Because of the spectral energy distribution of the light, however, some colors predominate in the illumination. For example, for daylight, north light is bluish, whereas direct sunlight at midday is yellow-white; and light from an incandescent lamp is high in red, orange, and yellow. The color composition of the light may be correlated with a color temperature. For a specific purpose, a source with the appropriate color characteristics should be chosen. Lamp manufacturers provide information on the color temperature and color rendering index of their products. Colored light, produced by colored light sources or by filtering of white light, is sometimes used for decorative purposes. Colored light also may be used to affect human moods or for other psychological purposes, as indicated in Art. 15.10.8. Care must be taken in such applications to avoid objectionable reactions to the colored light; for example, when it causes unpleasant changes in the appearance of human skin or other familiar objects. Perceived color of objects also is affected by the level of illumination (Art. 15.10.8). When brilliant color rendition is desired and high-intensity lighting is to be used, the color saturation of the objects should be high; that is, colors should be vivid. Also, a source that would enhance the colors of the objects should be

The base coat draws the water from the finish coats; so the finished surface should be moistened with a wet brush as it is being troweled. Pressure should be exerted on the trowel to densify the surface and produce a smooth hard finish. Finally, the surface should be dampened with the brush and clean water. It should be allowed to stand at least 30 days before oil paints are applied. Prepared gypsum trowel finishes also are available that require only addition of water at the site. The resulting surface may be decorated as soon as dry. The plaster is applied in the same manner as lime-gaging plaster, but the base coat should be dry and, because the prepared plaster has a moderately fast set, it should be troweled before it sets. For best results, three very thin coats should be applied and water should be used sparingly. Sand float finishes are similar to gypsum trowel finishes, except that these float finishes contain a fine aggregate to yield a fine-textured surface and the final surface is finished with a float. The base coat should be firm and uniformly damp when the finish coat is applied. These finishes have high resistance to cracking. Molding plaster, intended for ornamental work, is made with a finer grind than other gaging plasters. It produces a smooth surface, free from streaks or indentations as might be obtained with coarser-ground materials. Equal parts of lime putty and molding plaster are recommended by the Gypsum Association for cornice moldings. Veneer plasters, applied to a thickness of only 1/16 to 3/32 in, develop hard abrasion-resistant surfaces that can be decorated the day after application. Factory prepared, these plasters are easy to work, have high plasticity, and provide good coverage. The finish may be applied in one-coat systems over special gypsum base (Art. 11.25.5), or in two-coat systems over a veneer-plaster or sanded gypsum base coat. They require only addition of water on the job. Veneer plasters should meet the requirements of ASTM C587 and application should conform with ASTM To avoid construction delays due to the necessity of mixing plaster ingredients with water on the building site and, after application, waiting for the plaster to cure, drytype construction with gypsum products may be used. (For discussion of other drytype interior finishes, see Arts. 11.30 to 11.31.) For the purpose, gypsumboard is factory fabricated and delivered to the site ready for application. Gypsumboard is the generic name for a variety of panels, each consisting of a non-combustible core, made primarily of gypsum, and a bonded tough paper surfacing over the face, back, and long edges. Different types of paper are used for specific purposes. Gypsumboard with a factory-applied, decorative face or with an aluminum-foil back for insulation purposes also is available. The panels may be attached directly to framing, such as studs or joists. While gypsumboard also may be attached directly to unit masonry or concrete, use of furring strips between the panels and backing is desirable because of the possibilities of interference from surface irregularities in the backing or of moisture penetration through exterior walls. Successive panels are applied with edges or ends abutting each other. Depending on esthetic requirements, the joints may be left exposed, covered with battens, or treated to present an unseamed, or monolithic, appearance. Gypsumboard also can be used to construct self-supporting partitions spanning between floor and ceiling. See also Art. 4.26. 11.26.1 General Application Procedures for Gypsumboard Gypsumboards may be used in single-ply construction (Fig. 11.23) or combined in multiply systems (Fig. 11.27). The latter are preferred for greater sound control and fire resistance. Application and finishing should conform with ASTM C840. Precautions. When outdoor temperatures are less than 55F, the temperature of the building interior should be maintained at a minimum of 55F for at least 24 hr before installation of gypsumboards. Heating should be continued until a permanent heating system is in operation, or outdoor temperatures stay continuously above 55F. In warm or cold weather, gypsumboards should be protected from the weather. Green lumber should not be used for framing or furring gypsumboard systems. Moisture content of the lumber should not exceed 19%, to avoid defects caused by shrinkage as the wood dries. For the same reason, dry lumber should be kept dry during storage and erection and afterward. TABLE 11.10 Maximum Spacing, in, of Framing for Single-Ply Gypsumboard


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